Coachella 2022 Lineup Review

Back in the old days, when music festivals happening were rarely a question, we used to have the Coachella lineup shortly after New Years. This year we’re already in mid-January. Around 9:35 p.m. EST last night after a two year wait (three by the time this festival happens (hopefully…wait no, it’s happening! Positive vibes only!)), we have bands to preview and anticipation to be had! I honestly have chills writing this and maybe even some tears welling up in my eyes. I know at this point that nothing is ever a guarantee until it’s actually happening, but this feels really, really good. I truly hope to be at my favorite festival this spring and I know so many Coachella fans are hoping to be there as well. I’ve almost forgotten how to do this, but let’s just get in to this because it’s a long awaited blog I’ve been ready to write:

The Headliners: Harry Styles, Billie Eilish, Ye (Kanye West), Swedish House Mafia

On Tuesday afternoon, Billboard dropped an article leaking all the headliners for 2022. Over the last two weeks I had heard about Kanye, who now goes by Ye, and Billie Eilish. Supposed headliner, Travis Scott, was knocked out two months ago over the Astroworld ordeal and other supposed headliner, Rage Against the Machine, seemed to drop out. Coachella reported the Swedish House Mafia reunion in November as well, but Harry Styles was a complete surprise. Harry Styles has always been a big deal since his One Direction days. When the band broke up and embarked on solo careers though, Harry started small, playing smaller venues and built up on his following. Now there are tons of younger and older fan girls latching on to the Harry Styles hype. I’m particularly excited to see him perform as I’ve heard great things. He’ll be kicking off the weekend on Friday night.

Billie Eilish last played Coachella in 2019, drawing huge crowds to her performance. 2019 was an up and coming year for Billie, with her hit single “Bad Guy.” Over the last two years though, she’s become a headliner. She headlined Firefly, Governor’s Ball, Life is Beautiful, and Austin City Limits among others in 2021. Now she’ll be bringing it to the Coachella Main Stage come Saturday night this spring.

In 2019, Kanye West was supposed to headline Coachella and dropped out over artistic disagreements. Then, weeks before the big event, it was announced he’d be bringing Sunday Service to Coachella Weekend 2 on Easter Sunday. This year Easter Sunday falls on Weekend 1 and it’s already been reported Kanye may bring a Sunday Service style set to the Main Stage. I’m not sure anything could ever top 2019’s Easter morning Sunday Service experience, but I’d be down to see him try. Ye plays Sunday night.

Finally, we have your 2022 Coachella comeback set, Swedish House Mafia. The trio broke up in 2012, only to reunite at Ultra Miami in 2018. Now they’ll be making their return to the desert in 2022. Two of the members came back during Coachella 2015, but now 10 years later Swedish House Mafia is back. Given the lineup poster, I’m not sure when we’ll be seeing these guys, but I’m sure it’ll be a wild set.

The Other Highly Billed Performers: Lil Baby, Daniel Caesar, Phoebe Bridgers, Big Sean, Grupo Firme, Louis the Child, Baby Keem, Still Woozy, King Gizzard & the Wizards Lizard, Snoh Aalegra, City Girls, Madeon, NIKI, Lane 8, Pink Sweat$, Omar Apollo, Black Coffee, Flume, Megan Thee Stallion, Disclosure, 21 Savage, Danny Elfman, Stromae, Giveon, Anitta, Brockhampton, Rich Brian, girl in red, Wallows, Isaiah Rashad, Caribou, Cuco, Conan Gray, Koffee, Tchami, Dixon, Doja Cat, Joji, Jamie xx, Run the Jewels, Karol G, Maggie Rogers, Ari Lennox, Banda MS, Fatboy Slim, Måneskin, J.I.D., SLANDER, Solomun, Jessie Reyez, Denzel Curry, FINNEAS, Vince Staples, Dave, Fred again..

Out of this set of major artists, I’m most excited to see Maggie Rogers. She played Coachella 2019 in the late afternoon sun on Saturday at the Mojave tent. This year I’m hoping for a sunset set on Main Stage or Outdoor. She plays Sunday. I’m also excited about Phoebe Bridgers, Madeon, Flume, Disclosure, Danny Elfman, girl in red, Jamie xx, FINNEAS, Lane 8, and Caribou.

Flume is the second artist I’m most excited to see for sure. Flume has always been one of my favorite electronic artists and the one who got me more into electronic music in general. I’m excited to see what he brings to the polo fields this spring. Many of these artists were part of the 2020 lineup, but there are plenty new additions as well, like Phoebe Bridgers, Jamie xx, and FINNEAS. From that small group, I must say Phoebe Bridgers exploded after the release of her Grammy nominated album Punisher. I never got into her enough, but I’m excited to try to see her perform this year. In 2017, I really got into the xx. So, I’m looking forward to seeing what band member, Jamie xx brings to the desert this spring. If you know Billie Eilish, then you’re aware of the presence her brother Finneas has in her music. He’s also an independent artist that goes by FINNEAS. With Billie playing Saturday night, FINNEAS performs Sunday. I actually prefer his music over Billie’s and I’m looking forward to checking out his set.

You also have artists among this list that have gotten bigger since 2020 like girl in red, Doja Cat, and Conan Gray. Out of these few, I’m most excited for girl in red. I really got into her music in 2020 and caught part of her ACL set this past fall. I’d love to see a full set from her which I know will consist of the indie music I need at Coachella.

Lane 8, Madeon, Caribou and Disclosure are just some of the electronic artists I’d love to see this year. Lane 8 and Madeon have very vibey styles of electronic music, whereas Caribou and Disclosure are deep house. Danny Elfman who was booked for 2020 is set to play again and I’m sure his set will be as fun as Hans Zimmer’s was in 2017.

As usual, a lot of the big acts this year are from a variety of genres. This is something Coachella has always done really well. There’s hip-hop, latin, pop, indie, and electronic music in the mix again among others. They put together such a wide range of music that there’s something for everyone at this festival.

The Undercards (The Rest): IDLES, Peggy Gou, EPIK HIGH, the Marías, Carly Rae Jepsen, Spiritualized, Daphni, the Martinez Brothers, Bishop Briggs, MIKA, slowthai, Cordae, BADBADNOTGOOD, the Avalanches, Role Model, ARTBAT, Damian Lazarus, TOKiMONSTA, Princess Nokia, PUP, the Regrettes, Raveena, Ela Minus, Jayda G, Lost Kings, Lawrence, GG Magree, Giselle Woo & the Night Owls, SOHMI, MEUTE, DJ Lord, Dear Humans, Caroline Polachek, Turnstile, 100 gecs, Freddie Gibbs & Madlib, Pabllo Vittar, Hot Chip, DJ Koze, Floating Points, Steve Lacy, Arlo Parks, Rina Sawayama, Japanese Breakfast, Masego, Chelsea Cutler, Nicki Nicole, Richie Hawtin, Beach Bunny, Amber Mark, Ed Maverick, Current Joys, black midi, Chris Liebing, Kyary Pamyu, Inner Wave, ANNA, Holly Humberstone, Nilüfer Yanya, L’Impératrice, Emo Nite, Alaina Castillo, Paco Osuna, Beach Goons, VNSSA, Mannequin Pussy, Sama’ Abdulhadi, Whipped Cream, DJ Holographic, Yard Act, Layla Benitez, Miane, Duck Sauce, Chicano Batman, Duke Dumont, Kim Petras, Orville Peck, Natanael Cano, beabadoobee, Belly, the Blessed Madonna, + Honey Dijon, Alec Benjamin, Ali Gatie, Surf Case, Michael Bibi, Nathy Peluso, Maxo Kream, Bedouin, Emotional Oranges, Channel Tres, Yola, Hayden James, Molchat Doma, Crumb, Olivia O’Brien, Griselda, Eyedress, Sampa the Great, Satori, Viagra Boys, Adam Port, Altin Gün, Skegss, Luttrell, Mariah the Scientist, AMÉMÉ, Cariño, Cole Knight

Many of the undercards are returners from the 2020 lineup, with of course some new acts mixed in. As I mentioned in my 2020 lineup review post, Bishop Briggs, Lost Kings, Emo Nite, Hayden James, Chelsea Cutler, and Hot Chip are all artists I’m looking forward to for various reasons. This time around I’m also interested in hearing what Duke Dumont has to offer. The electronic dj plays a deep house style, which from my other interests, you can tell is an electronic style I dig. This year I’m also excited to check out Olivia O’Brien and Turnstile.

Olivia O’Brien is an artist I found out about in the summer during Lollapalooza week from my friend Hailey. I’ve listened to her here and there but I’m excited to check out more of her music in anticipation of Coachella. She’s got some edgy pop vibes.

Turnstile is a band I’ve heard plenty of great things about. A lot of my friends always think I love Turnstile, but that’s because they confuse them with Turnover. I do love Turnover. I truly haven’t really listened to Turnstile, but I plan on it over the next few months since I want to see their set. I know they’re a hardcore punk band, so I’m about to head back to my roots while listening.

So there you have it, the Coachella 2022 lineup. I truly can’t believe we have a new lineup to gawk over and that the festival is in the works of happening this spring. It’s been a long tough road these past two years without it, but I’m hoping things get even better by then so Coachella can be celebrated as it was meant to be. I have a lot of listening to do and a brand new Coachella playlist to compile. In the coming weeks, I’ll be providing my standard Coachella Band Previews in anticipation of April.

I’m currently in Mexico until the end of the month, which means getting these band previews out as I’m here working. It’s already been a weird time with our first two weeks being cancelled, but hopefully all moves forward as planned for the next two. It’s a marathon month in Mexico (not a sprint) and I’ve been trying to pace myself. Dreams of Coachella vibes will surely help along the way and I can’t help but feeling a little emotional thinking about it. That said with all the disappointment in 2020, I don’t want to count my chickens before they hatch, yet, I still need to plan accordingly. I’ve actually already been outfit prepping for the polo fields. I hope you’re all feeling as good as me about this. So stay tuned for more weekly Coachella previews as we once again anticipate the annual 2 weekend party in the Indio desert.

The Return of Live Music and the Top Tunes of 2021

I came into this year believing it would be a transition. I knew it wouldn’t be the best year ever, but I truly believed we were going to transition back into some weird period of normalcy that wasn’t quite exactly normal yet. Sure enough after 15 long months, we did and live music came back into our lives. I went back to work. I saw my friends again, made new ones, and got closer to others, which is something I’m so grateful as someone who works in live events. Usually at the end of the year, I recap some of my favorite music, but this year, after talking to a friend of mine, I’ve decided to include something extra. This was the first year in a while that I didn’t have a stand out favorite song of the year. For me, this year was a comeback to music I know and love with a few new faves along the way. You’ll see what I mean. So let’s get to it, here are my 2021 favorites in music:

Torches X -Foster the People

I knew going into 2021 that Torches, one of my all time favorite albums by my favorite band Foster the People, would be turning 10. Last fall, I was hoping they would play a drive-in show in May in honor of the 10th anniversary. Needless to say I never expected I would get to see them play a 10th anniversary show in LA in November nor did I expect a deluxe edition of the album with some of my favorite early Foster the People songs. That’s what I got though and I’m more stoked about it than you know. Plus after years of hoping and wishing, “Broken Jaw” is now on Spotify. It can’t get any better than that.

30 -Adele

After 6 years, Adele finally put out new music in 2021. As I wrote recently, 30 hasn’t been my favorite Adele album, but it was still something I anticipated for quite a while. It deserves recognition for that, especially after the endless amount of Twitter teases over the past 2 years. It’s still one of my favorite albums of 2021 and has several great tracks that I love. I’m stoked Adele is finally back.

Decco

Decco was a huge discovery for me this past spring. I spent a good amount of time listening to their songs after finding them because of a Kygo song on my Release Radar Spotify playlist. I’m actually surprised their song “I Didn’t Know” wasn’t my most listened to song of 2021 because I surely spent a lot of time listening to that track this past spring and summer. I’m hoping there are more solid Decco songs released in the future and maybe even a festival set or two. They’re great and I’m glad I found them.

“Chapstick” -COIN

I added this song to my work out playlist in mid-October after returning home from ACL and it’s been a song that I haven’t been able to get enough of since. I’ve been listening to COIN here and there for the last few years, but this song just hits different for me. It’s got such a great edgy, rock feel. I’ve kept it on repeat for the past 2 months and I’ll likely be keeping it that way into the new year.

“Dissolve” -Absofacto

My friend Hailey told me about this song during Lollapalooza because Absofacto played the festival. She said the song was a big hit, but I hadn’t heard it. She played it for me and I was hooked. I added it to my summer work out playlist and much like “Chapstick” it was a song I kept playing on repeat. In fact, I even extended the listening period by putting it on my fall work out playlist too. It’s been a song I’ve loved since the summer and one of my favorites of 2021.

“Low Rider” -War

This 1975 classic has been the official/unofficial song of the year for me. What started as a joke over the radio at Peach just carried on for the rest of the year. I kept hearing this song at random times after that and it’s always a jam. I even bought the single on vinyl 2 weeks ago. Glad this song made a comeback this year for me and the festie pals because it’s truly the best.

Loving in Stereo -Jungle

Jungle’s Loving in Stereo was another one of my favorite albums of the year. It has such a complete track-listing with so many songs I enjoy. I had it playing in my car for months too. I’ve been listening to Jungle since their debut album was released in 2014 and caught them at Coachella in 2015 and Lollapalooza in 2018. This is definitely my favorite album of theirs so far and I’m disappointed I didn’t see them on their tour this fall in support of it. I’m hoping for some festival appearances next year that I’ll be able to catch because this album made me love Jungle even more.

“Sweet Talk” -Fitz Leland

In early 2021, I discovered this jam by independent artist Fitz Leland. It was one of my favorites to listen to last winter, especially during my weekly adventures on the slopes. It was always such a vibe hearing it while on the lift or while lifting (you know it was on the work out playlist too!). This one definitely helped carry me through a winter I tried to make the best of. It’s such a mood.

So I know I usually do a top 10 followed by some runners up, but this year wasn’t about music I listened to. It was about music I saw. Being sidelined for 15 months from shows and work made me want to see music as much as I could as soon as I was able to. I also appreciated seeing live music much more. After thinking about it and looking back on my calendar, I’ve seen 39 full and partial sets this year since June, when I saw my first concert since Dermot Kennedy back in February 2020. So instead of just songs, albums, or artists, here’s something extra that I’ve never done yet. Here are my favorite sets from concerts and festivals (in the order in which I saw them) once live music came back this year:

The Suicide Machines & Less Than Jake

This was my first concert in 15 months. I saw both bands play AC Beer Fest on the first weekend of June at a time when everything was starting to transition into a normal-ish time again. AC Beer Fest was an outdoor festival that we tailgated on a beautiful Saturday. I can’t even express what it felt like in that moment to be together with my friends at a ska punk show again. Tears were had. Songs were sung. We skanked and I got beer accidentally dumped on me on the way out to the parking lot. It was the best day with my pals.

Carrie Underwood at Country Jam

Country Jam was my first big gig/festival that I worked since Mexico in the winter of 2020. I also got to work a role that I wanted to try to get involved in on my next festival season, credentials. The last night of the festival Carrie Underwood headlined. I’m not a country fan but of course I know Carrie Underwood, even if it’s only like 2-3 songs. So I anticipated her set all weekend. After a successful week on the Jam Ranch, I watched her Saturday night set with my co-worker friends. Again, it was an incredible feeling to be back to work and back at a music festival and that realization set in while taking in Carrie Underwood. The set culminated in “Before He Cheats.” We went so hard that we probably could have taken a Louisville slugger to both head lights in that moment that truly felt like live music was back.

Miley Cyrus at Lollapalooza

Lollapalooza has always been one of my favorite festivals. Unlike other festivals, I didn’t get to work Lolla in 2019 so it made the return to Lollapalooza this year even more special for me. I actually felt an excitement coming into work the first show day that I hadn’t felt at all yet despite working 2 festivals at that point. It was a different feeling that comes with working my favorite festivals though so that’s probably why. Miley Cyrus headlined the first day of Lollapalooza this year and I figured once I closed up my ticket help I would catch the end of her set. I met up with a girl on my team who I had met 2 days prior and that I clicked with instantly along with my VIP one-off turned festival worker homie Finnerty. Two of our other friends popped out of the VIP area that we were standing next to when Miley went into “7 Things.” We all went so hard. I kind of forgot the song existed until that moment. After that, she just kept playing all the hits. I couldn’t believe how many Miley songs I actually knew. She killed it too. I loved watching everyone get emotional during “The Climb.” The production during “Can’t Be Tamed” was fantastic. Then she closed with “Party in the USA” a half hour after her set was supposed to end which felt like a true party with people being together, dancing, and singing in the heart of downtown Chicago at the first major music festival since the panny d began. It was a special moment, granted some news about new variants and such changed everything the next day. That first night was a true celebration though and I was grateful to take it in from the crowd.

Green Day at Hella Mega

When the Hella Mega Tour was announced in 2019, I knew I wanted to work it. I even got to the point this year thinking I might attend if I didn’t get the chance to work. Fortunately though, I was able to work two dates on the tour and it was the coolest VIP event I worked all year. It was a no stress, low energy type of work day that ended as soon as the headliner, Green Day, took the stage. Green Day is such an iconic band and anyone who has ever listened to alternative/punk music has listened to Green Day. The first date I worked was in Hershey in August. I was entranced when I walked in the venue and I saw Bille Joe Armstrong strumming hard to “Holiday.” Green Day played all their hits on the tour from “Boulevard of Broken Dreams” to “Basket Case” to “21 Guns.” It was all around awesome. They were so entertaining to see live and that was my first time ever seeing them. I, of course, popped in the venue for one or two Fall Out Boy songs earlier and heard their entire set along with Weezer and the Interrupters’ from the VIP check-in spot too. We were set up right near the stage. It was a great day overall and I felt so lucky to have experienced it.

Lizzo at Firefly

Firefly was a rough week and half for me due to some personal feelings and such, but being able to actually be at the festival is always a rarity these days and one I cherished about my time in the Woodlands. After the Lizzo hype of 2019, I was so stoked to see her Sunday night set in one of her first performances back since early 2020. I got to see it from the VIP area with several of my friends who were working in VIP that weekend. It was a nonstop hour and a half dance party filled with endless joy that felt “good as hell!”

Glass Animals

After Firefly ended, I had 2 days before flying out to Austin for ACL. I was home for a total of 26 hours because the night before flying out I saw Glass Animals with my friend Amanda. We bought the tickets when the tour was announced back in May cause I anticipated being able to make the Tuesday night date. I made it happen and it was another night of nonstop dancing. Before I got into Glass Animals, I saw bits and pieces of their July 2017 Panorama set. That following fall I started listening to Glass Animals and felt bummed when I missed the call on them earlier that year. Dreamland was one of my favorite albums of 2020. I spent so much time at home listening to them last year that finally getting to see them perform in late September after all that time felt so satisfying. We had such a good time that we’re even thinking about seeing them again next year at Red Rocks because we don’t wanna talk we just wanna dance to Glass Animals again and again.

Dermot Kennedy at ACL

I made my return to ACL this year after working my first one ever in 2019. It was always a festival that I wanted to work but couldn’t figure out an in for. I was asked at Lolla if I wanted to do it again and I immediately said yes to spending two weeks in Austin. ACL brought a ton of great times and reunions with my ticketing fam and Austin friends, but none was more special than my reunion with my friend Danny, who I lovingly refer to as the Danimal. It had been just over 2 years since we last saw each other and after taking a full time role with a major event company he came to the 2nd weekend of ACL for fun. Thanks to my amazing team I was able to take some time to see all of Dermot Kennedy’s set with Danny. Danny was with me at Coachella 2019 when I first discovered Dermot. I caught Dermot’s set at Lolla, but seeing his ACL set with my favorite festival buddy was more special. We sang along to everything and danced harder than one would expect at a Dermot Kennedy set to the point that we created a mini mosh pit with two strangers during “Giants.” It was one of the most fun live music moments I experienced all year.

Foster the People (Torches X Show)

I already dedicated a whole blog to this show, so please check it out for all the detail. Just to reiterate though, I can’t believe I got to experience this show. It still feels surreal. Favorite band, favorite album, in one of my favorite places. Surreal.

LCD Soundsystem

When I wrote my end of 2020 music recap, I wrote about hoping to hear from LCD Soundsystem again in 2021. Well they came back. They announced a 20 show residency in NYC in November and December in early October and I spent one morning before heading to site at ACL struggling to get tickets. I managed to secure tickets to one of the early December shows with plans to see them again with my friends at their final date of the residency. The residency got cut short due to the unrelenting panny d, but I was still able to go to the show I purchased tickets for in the beginning of December. It became a whole weekend of shows with my friend Hailey who flew in to hang with me and to see James, Nancy, Pat and the rest of the crew. We spent some time hanging in NYC too. LCD Soundsystem always gets me hyped since I never thought I would get to see them after getting into them in 2012 post-break up. This time was no different as I planned to dance myself clean for the third time. We heard, in my opinion, one of the best set lists of the residency too. I danced myself clean with all my friends as daft punk played at my house and New York, which I love brought me down. It was so good that I could do it on repeat.

Streetlight Manifesto

The day after LCD Soundsystem Hailey and I made our way to Philly to attend mine and my friends’ annual Christmas celebration at Streetlight Manifesto. Usually it happens in central Jersey with just me and my two friends Ashley and Noah, but this year with an announced Philly date, we decided to do it there with a bunch of other pals. I convinced Hailey to come even though she wasn’t into Streetlight with the promise that she would get to experience this incredible tradition we started in 2018. Despite not playing “Point/Counterpoint” into “Keasbey Nights” back into “Point/Counterpoint,” we had the best time singing along with our arms around each other to the uptempo ska songs we loved listening to in high school after a year not being able to see Streetlight. It was another one of my favorite concert moments of the year.

Runners-Up:

All Time Low

Thanks to my friend Emily and her homie at the Bottom Lounge in Chicago I was able to attend All Time Low’s Lollapalooza aftershow during Lolla week (the show was Wednesday before the festival started). After Hailey hooked it up with providing a place to stay, we both started talking about attending a show the night before Day 1 of the festival. We both had an interest in All Time Low and it just happened to work out that Emily had connections at the venue when I told her we wanted to attend. The only problem was I worked onsite until 7 PM the day of the show which was when it started. There was an opener though so I figured ATL wouldn’t hit the stage til 8:30 or show and we would be fine. We were not, in fact, fine. All Time Low came on at 8 and we got to the venue around 8:40 by the time I left work, moved my stuff to the place we were staying, quickly changed, and ubered there. We saw the last 4-5 songs though. They were all bangers and it was enjoyable for the brief time we were there. I got to hear “Dear Maria…” their most iconic song, which was really cool because I’ve known that song since high school and I had never seen All Time Low before that night. Overall, it was fun to take in a show with Hailey since we were getting to know each other and realized we had similar music tastes. It really kicked off my return to Lollapalooza too and I knew it would be a great week.

The Killers at Firefly

As I mentioned before, I was able to see a bunch of music at Firefly given my role and hours for the week. I was able to see everything I wanted to see on Friday and Sunday at the festival, which included Friday night’s headliner, The Killers. Both times I saw the Killers previously were with my mom, so this was the first time seeing them without her. I was sure to record her favorite song though and send it to her as I took in the set with some of my festie friends. It was another set of the weekend that included tons of dancing as I sang along to mostly every song. The Killers always put on a good show and this was no different even if they didn’t end with “Mr. Brightside.”

Nelly at Firefly

My inner middle school self was so excited to see Nelly at Firefly. That’s the great thing about festivals, being able to see music you wouldn’t normally buy a concert ticket to. I took advantage of the opportunity and it was such a fun set. Nelly was so big during my middle school and high school years that I knew almost every song he performed. There was a huge crowd for his set and almost everyone was singing/rapping along to hits like “Ride Wit Me”, “Hot in Herre”, “Air Force Ones”, and “Grillz.” As a former fan, it was definitely a highlight to be able to see Nelly this year.

Now that I did a double review for the year that brought live music back into our lives, what’s next? Well there’s still plenty of concerts and events that didn’t get to happen this year so next year the comeback is still on. I’m highly anticipating new Arctic Monkeys next year and a Foster the People tour that they mentioned at their Torches X show. I’m also still hoping for new music from LCD Soundsystem. At least they came back to play shows these past 2 months. I’m also excited for new alt-J and Bastille. Both have new albums dropping in February. I’m still hoping for more Florence and the Machine as I was last year, but it would also be great to add Tegan & Sara to that list too.

If all goes well, in a few days there should be a certain well-known festival that will be dropping a lineup. I have my fingers crossed that all goes accordingly with it this year since it’s been 3 years since the last one. I know so many others are hopeful as well. In any event, once that lineup drops there will be several blog posts coming straight from the marathon month I’ll be spending in Mexico, since those events are back as well. 2021 will definitely go down as a return to live music and I hope it all keeps going smoothly into the next year. Until then, don’t stop listening and buying tickets!

30: Album Review

Since May of 2019 when Adele made a social media post about her 30th year, fans across the globe (me included) waited for a new album. After speculation it would come in 2020, getting delayed, and plenty of teasing moments of her name trending on social media, Adele finally released the first single, “Easy On Me”, from her new album 30 back in October 2021. This also came with the announcement that her new record would drop on November 19th. I knew I would be in LA that day and while there I made sure I stayed up long enough to listen to the new record that dropped at midnight EST. From the brief run through that night, I realized this was Adele’s most musically diverse album yet.

Adele’s albums are usually pretty predictable – heart breaking ballads and occasionally a bop like “Rolling in the Deep”. This album had a mix of all of it plus some tracks that sound straight out of the 40’s or 50’s. There’s a track that adds an electronic flavor to her repertoire with “Oh My God,” one of two bops from 30. You also get some classic 19 era Adele with “Cry Your Heart Out.” The album is different, but it works.

I pre-ordered the album a few weeks earlier because I knew I wouldn’t be in town to grab it right away. I got the Target version which included 3 exclusive tracks, “Wild Wild West,” “Can’t Be Together,” and a version of “Easy on Me” with Chris Stapleton. Honestly I’m glad I got it because I really dig “Wild Wild West” and especially “Can’t Be Together.” Both songs could have easily been on the standard version of the record.

Overall, I don’t think this is Adele’s best album. I like that she diversified her music a bit and I like some of it, maybe even most of it, but I just wasn’t into all of it. 21 and 25 are tough to beat too. 30 does have several songs that will be Adele faves for years to come though. “Easy on Me” is the perfect first single. “I Drink Wine” is so relatable and I still can’t get over “Oh My God” and “Can I Get It.” The point is even if this album isn’t my fave it’s still going to be massively successful, because even if it’s not the best, it’s still Adele and she’s the best. She’s a superstar. She can definitely get it and I’m not sure we’ll ever be able to get enough.

Raise Up to Your Ability

It’s rare that I write a specific post dedicated to a personal music experience outside of Coachella especially with the amount of music I see, but I recently had a worthy one. About two weeks ago I traveled to LA to see my favorite band, Foster the People. They played a 3 night run at the Wiltern. Aside from a gig in Mexico a few days prior, it was their first live performances since 2018 (understandably so given the live music shutdown for over a year). This stint wasn’t just regular shows though. It was a 10 year celebration of the release of their first album, Torches. The band played the entire album in order during their sets each night.

A year ago, when I stayed home most of the time and spent my days working out, looking forward to meals and the occasional visits with friends, and missing live music, I started thinking about the fact that Torches would be turning 10 in 2021. I thought to myself then that Foster the People would be the only band I would compromise my feelings about drive-in shows for (I thought they were dumb), if they played a 10 year Torches anniversary show in May (Torches came out in May 2011). I didn’t know what the status of regular shows would be at the time and I wasn’t trying to jump the gun either. Then in August, after almost 2 months of a close to normal return of live music, Foster the People announced their 3 night run of Torches anniversary shows in LA. I had no choice but to maintain that promise I made to myself last fall and go.

So on a chilly LA evening in late November, I ubered to the Wiltern from my hotel in Venice. I met friends in a line that wrapped around the block upon arrival. That was followed by another wait in an extensive merchandise line so I could buy the special poster for the anniversary shows. Thank god for drinks and my pals. We secured a spot relatively close to the stage, house right after I secured the commemorative poster.

Foster the People came on around 9 PM. I attended the Friday night show and for the first time in a very long time, I had not looked at the set lists from the previous two nights. Other than a spoiler of “Lamb’s Wool” I saw as I scrolled through Twitter two days before, I knew nothing about their sets. They opened with “Style”, a song released in 2019 on the Pick U UP EP and proceeded to play a mix of old songs and new songs, including one of their earliest songs “Chin Music For the Unsuspecting Hero”, before that all too familiar drum and synth intro of “Helena Beat” began.

By this point, I had not stopped dancing or singing along to every song. Thankfully one of my friends went on a bathroom run and grabbed us some waters. After “Helena Beat”, I knew what was coming, Foster the People’s most famous song “Pumped Up Kicks.” The cheers were loud when that bass line started. It’s the song that everyone knows, but given all the controversy, I tried to take it in as much as possible because I wasn’t sure if it would be the last time I hear it live. It felt amazing knowing I had one last time hearing the hit song live though in case they don’t play it anymore.

“Call It What You Want” and “Don’t Stop (Color on the Walls)” were next. I didn’t chug my water until after “Houdini”, which featured an appearance of blow up Torches album art creatures that flailed along as we rose up to our ability. When Mark and the boys (without Mark Pontius for the first time since his departure from the group in mid-October) finished “Warrant,” the applause and cheers lasted for at least a minute. I couldn’t even believe I had just heard one of my all time favorite albums played live front to back. It was a special feeling. I was sweaty and so ready for more.

The band played five more songs after that. It was another mix of new and old with live debuts of “Cadillac” and “Walk With a Big Stick” amongst “Ruby”, the cult favorite “Broken Jaw”, and Sacred Hearts Club hit “Sit Next to Me”, which featured the Sacred Hearts Club tour neon light dropping into the background. After a brief departure from the stage, Foster the People returned to encore with 3 more songs, “Under the Moon”, “Lotus Eater” sans cover of “Blitzkrieg Bop” by the Ramones that they played during their last tour, and finally ended the night with Supermodel jam “Pseudologia Fantastica.”

When the house lights returned, it was 11 PM. Foster the People played a 2 hour long set, longer than any other night during their brief run at the Wiltern. It was the second time I heard them play that long. The other was the last time I had seen them, September 18th, 2017 at the Fillmore in Philly. That was the best concert I’ve ever been to. They played countless hits from every album released until that point. I was up against the bar watching every movement and action on stage. I even caught the set list. This was just as special in a different way.

It was an incredible night that reminded me about the importance of live music. Last year I spent so much time wondering when I would get to go to another show. I felt frustrated in losing so much of what I loved. My only consolation was to tell myself that we would be back soon enough. Although I didn’t know it at the time, this concert was one of the reasons I got through last year. It was my favorite band, playing my favorite album in one of my favorite places (California) and I felt beyond grateful to experience it.

Damned if I Write This, Damned if I Don’t

I’m sorry to say, but it’s been another long amount of time I’ve gone without writing a blog post. It was a busy a fall with not much time at home and not much time to focus on the blog, which is a huge shame on me. As a quick update, up until last week, I only had 6 full days at home over the last 6 weeks. I spent mid-late September and much of October working 3 different music festivals (Firefly, Austin City Limits, and EDC Las Vegas). Then, I spent Halloween weekend with my family out-of-state. At this point though, I’ve finally been back for a week straight and thought it was time to make a post.

During Lolla week back in late July, I finally made it to my first Lolla after show. I saw pop punk band All Time Low at the Bottom Lounge (shoutout to my friend Emily for making it possible). Since then, I got back in touch with All Time Low, a band whose handful of songs I listened to at the end of high school/beginning of college. I can’t say I really went all in to All Time Low in the past few months, but I definitely started listening to a few more of their songs than “Dear Maria Count Me In” and “Coffee Shop Soundtrack.”

All Time Low, from Towson, Maryland (Baltimore suburb), formed in 2003 while still in high school. The group got their name from the lyrics of New Found Glory’s song “Head on Collision” (“And it feels like I’m at an all time low.”). Plenty of bands have gone through lineup changes over the years but All Time Low has remained consistent since their very early days with Alex Gaskarth on guitar and lead vocals, Jack Barakat on guitar, Zack Merrick on bass and backing vocals, and Rian Dawson on drums. In their very early days, Chris Cortilello and TJ Ihle were part of the group, but left before the band made a name for themselves.

The group released their first two EPs in 2004 before their debut album The Party Scene was released in 2005. The band signed with Hopeless Records in 2006 and released the EP Put Up or Shut Up that summer after graduating from high school. After joining the Vans Warped Tour in the summer of 2007, they released their second studio album So Wrong, It’s Right. This album peaked at 62 on the Billboard Top 200 and 6 on the Alternative Albums chart. Ultimately it lead to their rise in the alternative music scene. Their third album Nothing Personal debuted in July 2009. It reached number 4 on the Billboard Top 200 in it’s first week. By 2009 they became a headlining act at Warped Tour and had also been headlining their own national and international tours.

Since 2009, the band has been continually touring and releasing albums every few years. The most notable of those was Future Hearts in 2014 which debuted at number 2 on the Billboard Top 200, their highest charting album thus far. The most recent album they released was Wake Up, Sunshine in 2020. Other albums released include Dirty Work (2011), Don’t Panic (2013), and Last Young Renegade (2017).

All Time Low’s music style is classified as pop punk, pop rock, emo pop, and alternative, which is pretty spot on. They’ve stayed true to their genre throughout their time in existence, but I always think of them and their music style as something else, “scene” music. In the late 2000’s the “scene” subculture became a thing for alternative music fans. It developed from emo music/emo subculture. Now over 10 years later, All Time Low is a staple at emo nights around the country, where emo and other alternative music from the scene days is played for hours as millennials re-embrace super tight skinny jeans and heavy eyeliner while belting out anthems from their youth. “Dear Maria Count Me In” is one of those hits, as well as other pop punk, emo, alternative songs from that early scene era.

Despite knowing All Time Low for years, and even seeing the 1975 with them at Coachella (I happened to stand next to them), I had never seen them perform live until July. If it wasn’t for my friend Hailey, I’m not sure I would have even pushed as hard to see them either, but I’m glad we did, even if we only saw the last 4 songs. Hailey reintroduced me All Time Low as well as the Maine around that time and I’ve gotten into a few more of their songs since then including “Monsters”, “Damned if I Do Ya, Damned if I Don’t”, “Clumsy”, and “Weightless”. I’ve also re-sparked my interest in songs by several other bands I used to listen to this year including Fall Out Boy, Green Day, and Motion City Soundtrack. It’s definitely been a year of second-comings for alternative music for me.

Speaking of this year, we’re only weeks away from 2022 and for the first time in 2 years, there’s going to be a Coachella lineup drop, which means band previews and polo field hype will be back soon enough! Until then, I challenge you to get into a new old song by a band you listened to years ago. You just might be surprised how it could hit different especially if you’re over getting old.

Loving in Stereo: Album Review

Despite the past year with artists being unable to tour or play live music for quite some time, many have released new music. There were plenty of new albums I was stoked for and enjoyed last year. This year was much of the same when we didn’t know the status of events (but even still, as concerts and festivals returned). Lorde recently released her much anticipated third album. girl in red dropped her debut album in the spring. Then of course there’s still Adele’s new album which I’ve been anticipating for 2 years now. Will we ever get it? Time will tell.

Another album that recently dropped was British indie funk band Jungle’s third album, Loving in Stereo. From the moment Jungle released the first single from the album, “Keep Moving”, back in March, I knew their latest album would be another great one. Loving in Stereo was released on August 13th and it has everything you already loved about Jungle plus more.

The new album brings the same funk focused music of Jungle while bridging the gap into other genres as well. There are certain instances when I don’t like when a band or artist’s sound evolves because it completely strays from their original sound. In this case though, the evolution of Jungle’s sound is perfect. The album crosses into rap, reggae, and indie pop music while still bringing that funk sound that makes Jungle so unique. It also features collabs with rapper Bas and musician Priya Ragu. Much like Jungle’s first two albums, Loving in Stereo will keep you dancing from start to finish with bops like “Keep Moving”, “Talk About It”, “Truth”, and “All of the Time”. If you’re looking for more of that classic Jungle vibey funk sound though, you’ll want to listen to “Lifting You”, “Bonnie Hill”, or “Can’t Stop the Stars”. The album has already been charting on various album lists across the world including Billboard, OCC (UK), and ARIA (Australia) among others.

Jungle will be embarking on a tour across Europe and North America this fall in support of the album. The tour includes several U.S. dates this October. Some of the dates have already sold out. Unfortunately due to work obligations, I won’t be able to catch any of Jungle’s tour dates this fall so I’m hoping they’ll play the festival circuit next year and I’ll get to see them perform once again. This new album is so far an unexpected favorite of 2021 for me and I think the group’s best to date. I’m expecting good things for Jungle in the near future so check out Loving in Stereo as soon as possible.

We’re Going Down Down

It’s been 2 months since I last posted, which is something I’ve never done since I started this blog 7 years ago. I always tried to update each month, if not each week. I have good reason though. Over the last several weeks, I got caught up in this weird, transitional year. I finally returned to work onsite at a music festival in late June. Then the week after I was onsite at another. They were the first major events I worked in 15 months. It was awesome. Words can’t even explain how great it feels to be back at work doing what I love. Then after having visitors throughout the rest of July and dealing with some personal ongoing issues (tooth problems!), I made my huge return to Lollapalooza last week. Lollapalooza has always been one of my favorite festivals since I started working music festivals in 2016. Unlike other festivals, I did not work Lolla in 2019 so it was three years since my last time in Grant Park. The feeling of excitement for Lolla was what I was yearning for throughout 2020 and early 2021.

Before Lolla though, as I mentioned, I had several visitors throughout the month of July. One of them was my best buddy, my little cousin, Hudson. Over the last year, Hudson has gotten into alternative/pop punk band Fall Out Boy. I was a Fall Out Boy fan during high school. I saw them at my first Warped Tour in 2005. While Hudson was here, it was cool revisiting Fall Out Boy with him, especially since he knows the words to almost every song on From Under the Cork Tree. Currently, FOB is still in the news as they recently joined Green Day and Weezer for the Hella Mega Tour. Before we get into that though, let’s get into some band history.

Fall Out Boy formed was formed in Chicago in 2001 by bassist Pete Wentz and lead guitarist Joe Trohman. The group then recruited front man Patrick Stump and drummer Andy Hurley to the group, after trying out the group with other members. The band eventually signed with indie label Fueled by Ramen. They released their debut album Take This to Your Grave, under the label in May 2003. The album hurtled the band into the spotlight and substantially grew their fanbase.

In 2005, Fall Out Boy released their sophomore album From Under the Cork Tree. The album debuted at number 9 on the Billboard Top 200. The album’s top single “Sugar We’re Goin’ Down” peaked at number 8 on the Billboard Hot 100 that year as well. Their second single from the album “Dance, Dance” also hit the top ten. It was post sophomore album that the band started touring in arenas and playing music festivals other than Warped Tour. The album also earned them a Grammy nomination for Best New Artist.

The band dropped their third album Infinity on High in 2007 to much success. The album debuted at number one on the Billboard Top 200. The band headlined two major tours in support of their third album and also had several successful singles including “The Carpal Tunnel of Love”, “This Ain’t A Scene, It’s an Arms Race”, and “Thnks fr th Mmrs”. In December 2008, the band released Folie á Deux, their fourth full length album. Again, the album became a top ten hit, but did not quite reach the level of popularity as their prior two albums.

The band then went on hiatus from 2009 until 2013, when in February they announced their fifth record Save Rock and Roll and a reunion tour. The album’s top single “My Songs Know What You Did in the Dark (Light Em Up)” peaked at number 13 on the Billboard Hot 100. In 2015, the band released their sixth album American Beauty/American Psycho. This album produced hits like “Centuries”, “Uma Thurman”, and “Immortals”.

The band’s latest album “Mania” was released in September of 2017. The band embarked on the yearlong Mania tour in support of the album, which included a stop at Wrigley Field in Chicago, the band’s largest headlining stadium show to date. As I mentioned, the band is currently playing on the Hella Mega Tour with Green Day and Weezer. The tour was announced in 2019 and was delayed in 2020 due to the “panny D”.

Fall Out Boy is widely considered a pop punk band, but their music bridges into alternative, emo, pop, and punk along with other sub-genres. Through the years, I feel like Fall Out Boy’s music went from punk heavy to more pop-mainstream. Their shows have too. From playing, general admission small shows to seated larger venue shows, Fall Out Boy’s persona has changed. As an early Fall Out Boy fan, it was weird working their show in 2017 and not seeing a place for a pit. Nonetheless, I’m sure there have been some pits during their sets at Hella Mega.

After some family deliberation, my cousin and his wife decided they want to wait for a Fall Out Boy headlining tour to take Hudson to see them, instead of splurging on Hella Mega tickets. Until then, I guess we’ll just keep up this Fall Out Boy phase. They’ve become a band that has spanned the decades, which is something I didn’t really expect or even think about when I started listening to them in high school. It’s to the point that Fall Out Boy has truly become a family show. If you haven’t already, give Fall Out Boy a shot, but I’m sure you probably already have at some moment through the years. I guess we truly will remember them for centuries.

Decco

Back in April, I was checking new music on my Release Radar playlist on Spotify. I was stoked to see that Kygo had released a new single and even more excited to listen. The song was alright but I was very intrigued by the artist singing on the new track because I was into his voice. The artist was named James Gillespie. I decided to check out his page and sample a few of his songs, which is where I found my latest music discovery, the electronic duo, Decco.

Decco is the project of songwriters and producers Joacim Persson and Sebastian Arman. Both spent years writing and producing for artists such as John Legend, Kelly Clarkson, and Selena Gomez before teaming up to form Decco. Their first single, “Shooting Stars” featuring Mapei, came out in 2016. Shortly after the duo released remixes of the Alex Vargas song “Higher Love” and Dua Lipa’s “Thinking ‘Bout You.” Throughout the last five years the producers have been releasing new singles here and there with their latest being “I Didn’t Know” featuring James Gillespie which was released in September 2020. Although they’ve been releasing music for the last five years, they have yet to perform a live set.

Their music style fits in the tropical house genre of electronic music, but slightly less tropical/island vibes than what you might get from Kygo, Matoma, or Sam Feldt. Their tracks have a very vibey type of sound. Despite their limited discography, I feel like each song that they’ve released gives off a different feel and uses different elements/instruments. It’s not quite unique to the genre but it’s always cool when an artist can create a sound that is signature to them yet still unique in its own right.

Usually when I discover a new artist, band, or group, I get excited for their new albums or their tours/festival appearances, but with Decco I’m not sure what to expect. This project seems more of a side hustle for Persson and Arman with singles coming out every so often. I feel like they’d be more likely to appear as Decco at a festival than to go on tour so I’m hoping that can eventually happen, especially with music festivals and concerts finally making a comeback this year! We’ll see what the future holds. In general though, Decco is great. I’ve been listening to them constantly since I found them in April and I highly recommend them if you’re into electronic music.

if i could make it go quiet: Album Review

Since discovering girl in red last fall, I’ve joined the fans anticipating her debut album and finally it’s here. if i could make it go quiet, the debut album from girl in red, was released on Friday. The album was released through indie label AWAL and produced by girl in red herself, Marie Ulven, along with Matias Tellez and includes some production credit from Finneas O’Connell (aka Finneas, the brother of Billie Eilish). Throughout the past year girl in red released a few tracks in anticipation of the album including, “midnight love” and “Rue” last year, followed by “Serotonin” in March 2021 and “You Stupid Bitch” two weeks ago.

The album, as promised, features what we know and love about girl in red with a more mature feel. So yes, it’s indie pop/rock music about girls and love, but also with a jam about mental health and lacking serotonin. The quality of the record definitely feels more developed from girl in red’s earlier work too. This is the kind of album that could be the soundtrack to a solo drive in your car while on a road trip. I could also envision listening to this album while laying alone in a wide open field.

My early front-runners for favorite songs on the album are “Body And Mind”, “Serotonin”, which is an absolute banger, “You Stupid Bitch”, and “I’ll Call You Mine”. One thing I’ve always got from girl in red is that she doesn’t hold back in her writing. She says what she wants and it’s evident in so many of her tracks on the debut record. Listen to “Serotonin”, “Did You Come?”, and “hornylovesickness” if you want to see what I mean. I think this attribute to her music is what makes girl in red so great in her own way.

So far I feel like this year has had a slow start, both in general and musically, but even though we’re 5 months in, there’s still time. There’s plenty of potential for good things to happen and great new music to be released. girl in red’s debut album is one sign of that optimistic view for this year as it’s a solid indie album from front to back. Ironically, it boosted my serotonin and I hope it does the same for you as well.

Live Music is Back?!

It’s been over a year now since Coachella got “postponed” and the live music industry shut down indefinitely. Thanks to vaccines and an ever growing need to re-open the economy, those of us who work in events amongst massive amounts of people are finally starting to get back to work. Maybe some of us aren’t quite “back” yet but we’re starting to see the light at the end of the tunnel. Gigs are popping up. Fall tour dates and festival dates are being announced. We know people who have gotten called back to work or have gotten their jobs back. It’s all quite optimistic and honestly feels pretty good after a year where optimism was lacking. So is live music officially back? I’d say there’s a good chance.

First and foremost, we definitely wouldn’t be at this point without the vaccines. It was a slow roll out to start when the FDA gave the go-ahead for that emergency-use authorization back in December 2020. At this point though, about 1/3 of the eligible population has received at least one dose and more people are getting vaccinated each week. Although these disease protectors aren’t 100% full proof, they’ve been pretty damn effective so far and probably the best mechanism we have for defense against the virus. It’s key if you want have thousands of people hanging out together at a concert or festival. It was never going to be “safe” enough without them either unless there was zero virus risk which wasn’t an option here in the U.S., as it was in most countries as well.

Secondly, after a year of losing tons of money money money, capitalism says we gotta get back to work. I feel like most of us are eager to anyway. It’s fulfilling. I think if there’s any fear though it’s in the risk of getting sick with going back to work and of course others getting sick too. Vaccination has eased my mind a lot on that though, especially for myself. Again shoutout to those vaxes! Most states are trying to open their economies fully in the coming months. Restrictions are lightening and have been lightening since mid-March or so. The desire for normalcy is so real too which brings me to my most important and final point.

We miss the life we had before March 2020. I think we all do in a lot of ways. It was easier in ways that we didn’t even realize. There was a lot less to think about. I know I miss the easiness of it all. I’m sure you could name plenty of things you miss too. In that list, I think you could include concerts and festivals which is why many festivals that have sold tickets for the fall or beyond have sold out. The demand even seems unprecedented! Everyone is excited about the return of live music because I think so many of us missed those special moments that only live music can offer. Music heals. It’s always been true. But a lot of us feel a void without that aspect of music where you can go see your favorite bands or artists perform and truly be IN that moment (sorry livestreams!). So yes, FINALLY we are so close to getting that part back! For those of us who loved music enough to chase it as a career, it’s even more special. Obviously we’re all fans to begin with too.

When I was thinking about what to write today I almost decided to make a full post about EDC Las Vegas. The monster of all festivals announced its return for May (so soon!) on Thursday night. I had heard about the intent to have it in May prior to the official announcement and felt unsure. It felt too soon. I didn’t believe they could possibly have it. Even at this point, I’m still holding my breath a bit. Yet, do you know how exciting it is to talk to my friends/co-workers about upcoming gigs that are a month away?! It feels SO good. There’s still a lot more kinks to work out with EDC and a lot of work to be done in preparation in this short amount of time. You never know what can happen between now and then either. I think generally we can’t believe it’s happening so soon. We also feel like it’s too soon, but at the same time we’re all extremely stoked! Hopefully that makes sense to you. Needless to say it’s PLUR season baby!

If EDC goes off as planned, it’ll be a true test. EDC Las Vegas is the biggest music festival in the country. It doesn’t have the hype that Coachella gets but as far as attendance goes, it’s the biggest. It’s 150,000+ people each day for three days from 6 p.m. to 6 a.m. It’s a beast and unlike any other festival in that regard. So we’ll see what happens. Right now the hype and the optimism are real. Although it’s not official until festivals and concerts actually happen, I think the real phrase is that live music is ALMOST back. In the name of positivity and good vibes though, I still think we gotta hype it up. So buy those tickets because live music is back!