girl in red

It seems like monthly posts have become my thing this year so I couldn’t let November end without something new to talk about. Back in September, I discovered a new artist that I really like. Thanks to watching Tik Tok compilations on Youtube, I heard her song “i wanna be your girlfriend” endless amounts of times and it got stuck in my head. I looked up the song and learned it was by an artist called girl in red. I heard of girl in red a few months beforehand and finally had that “OH! Okay, so that’s who that is!” moment.

girl in red, also known as Marie Ulven Ringheim, is a Norwegian indie pop singer-songwriter who releases her music straight from the comfort of her bedroom. While growing up, her grandfather gave her a guitar on Christmas. She credits him with getting her into music because of it. Her stage name, girl in red, came from describing herself while in a crowd to a friend via text message. She began releasing music to Soundcloud under the name in 2016. Her debut single was “i wanna be your girlfriend”.

girl in red released her first EP, Chapter 1, in 2018. It also included her new singles “summer depression” and “girls”. She began touring in 2018 as well, opening for Clairo during her Dublin and Paris shows. Then she opened for Conan Gray in early 2019 which was her first North American tour. She released her second EP, Chapter 2, in 2019. In late 2019, Ulven went on her first headlining tour which included dates in Europe and America. Her debut album World in Red was slated for an October 2020 arrival, but is still yet to be released. The first single from the album, “rue”, was released in late August.

When I first listened to girl in red, I called her the indie version of Hayley Kiyoko and I still stand by it. Ulven is openly gay and the subject matter of her music is representative of that much like Kiyoko’s. girl in red’s music is just way more indie/indie pop. It has also been described as bedroom pop.

Since discovering girl in red, I’ve been listening to her music here and there, even adding a song or two to my always go-to work out playlist. I really got into the song “bad idea!” and her cover of Maggie Rogers’ “Say It” during the past month and a half. I’m anticipating the release of girl in red’s debut album as I’m sure most of her fans are. It’ll be here before we know it too. Once touring resumes, I’m sure we’ll see girl in red out on the road especially with the fame she’s gained over the last year. She recently dropped the Christmas single “two queens in a king sized bed”. So this holiday season, check out that new single and while you’re at it check out all that girl in red has to offer. If you’re an indie fan, it won’t disappoint.

Cover Songs

Yesterday my friend Bev and I got into a deep discussion about music covers. It was prompted by a video I shared with her where the background music was a cover of Talking Head’s “This Must Be The Place” by jam band, The String Cheese Incident. We delved into a deep discussion about her particular taste in covers, my taste in covers, and covers that would never do justice to the original artist or bands. I’m assuming everyone knows what a cover is but just in case you don’t, when someone says a song is a cover it means that the song is a recording or performance by someone who is not the original artist.

There have been plenty of cover songs throughout history that have become more successful than the original. A great example of this comes from legendary rock n’ roll singer Elvis Presley. “Blue Suede Shoes” was originally a song by Carl Perkins. Elvis also did plenty of Chuck Berry covers. Then of course there’s some controversy surrounding the song “Hound Dog”. Some claim that Elvis stole the song from Big Mama Thornton. Truth be told though when Elvis rose to fame racial prejudices were much greater than they are today. As a white singer, he brought many songs that may have been sung by or written by black musicians to fame. Hence, all of Elvis’s music being written by someone other than Elvis, which isn’t uncommon even today, but still.

Another example of this is “Twist and Shout” by The Beatles. The original song was by The Isley Brothers who are also famed for their song “Shout”. To be honest, I didn’t realize until today that “Twist and Shout” was a cover. I was looking for some covers on Spotify and saw it on one of their playlists. Part of me believes I knew this at one point and just forgot but the other part of me is kind of shocked.

Besides these songs a few other famous covers are Otis Redding’s “Respect” covered by Aretha Franklin, Bob Dylan’s “All Along The Watchtower” covered by Jimi Hendrix (Dave Matthews Band also frequents this cover too), Dolly Parton’s “I Will Always Love You” covered by Whitney Houston, Fleetwood Mac’s “Landslide” covered by The Chicks (formerly The Dixie Chicks), Leonard Cohen’s “Hallelujah” covered by Jeff Buckley, The Guess Who’s “American Woman” covered by Lenny Kravitz, Robert Hazard’s “Girls Just Wanna Have Fun” covered by Cyndi Lauper, and Stevie Wonder’s “Higher Ground” covered by the Red Hot Chili Peppers. There’s also been some recent covers in the spotlight. Two years ago Weezer got some airplay from covering Toto’s “Africa” and lately an indie artist named Ritt Momney is getting some huge hype over his cover of “Put Your Records On” by Corinne Bailey Rae. The list goes way beyond this too. I’m sure you’d be surprised to know just how many famous songs are actually covers. I know I was.

My friend Bev seems to love covers that capture the essence of the original song especially when the original was by a well-known band or artist. What I think makes a great cover is when the song is given a new “spin” or feel like when an artist known for a certain genre of music covers a song of another genre. This is why I was always a fan of the Punk Goes… album series growing up.

These albums started in 2000 with Punk Goes Metal and by 2002 the first Punk Goes Pop album was released. Most of the Punk Goes… albums are cover songs aside from Punk Goes Acoustic which are just acoustic recordings of original songs. While hosting my own radio show in college, I would occasionally do cover shows where I played a lot of covers from these albums.

Although I don’t really listen to punk/pop-punk/alternative music these days, I’m always looking out for a great cover whether it does the original justice or not. I still love and appreciate hearing unique covers. However, strangely enough, I don’t usually love remixes, which I feel are electronic music’s version of a cover song. I have a few I enjoy, but in this instance I seem to enjoy the original version of the song more. I’m not sure if we could even consider these “covers”, but unless a deejay has someone else singing the track, how would they cover the song? I definitely think a remix is “sub-genre” or so of a cover for this reason.

If you’ve ever played an instrument or sang a song, you’ve probably played someone else’s music or sang someone else’s lyrics. It’s a pretty standard practice in music. But just be careful if you ever plan on officially releasing covers. There are copyright laws surrounding music, but thanks to the Copyright Act of 1909 we’re able to create covers (usually with some negotiations between the artists involved and ASCAP or BMI…I linked the act for more info). No matter what your preference is on cover songs, I bet you’ve heard plenty and even have a few favorites. I obviously do so I figured I’d share some of mine to end this post.

  1. “I Can’t Make You Love Me” by Bon Iver (Bonnie Raitt cover)
  2. “99 Red Balloons” by Goldfinger (Nena cover)
  3. “Everywhere” by Yellowcard (Michelle Branch cover)
  4. “Umbrella” by All Time Low (Rihanna cover)
  5. “Megan” by Bayside (Smoking Popes cover)
  6. “Blitzkreig Bop” by Foster the People (Ramones cover) (performed live only, not recorded so check out a live version on Youtube)
  7. “That Don’t Impress Me Much” by HAIM (Shania Twain cover)
  8. “Skinny Love” by Birdy (Bon Iver cover)
  9. “Walking On A Dream” by Andrew McMahon in the Wilderness (Empire of the Sun cover)
  10. “Over My Head (Cable Car)” by A Day to Remember (The Fray cover)
  11. “Start Today” by Fall Out Boy (Gorilla Biscuits cover)
  12. “Mad World” by Gary Jules (Tears for Fears cover)
  13. “A Thousand Miles” by Mac DeMarco (Vanessa Carlton cover) (performed live only, not recorded so again check Youtube)
  14. “What I Like About You” by The Suicide Machines (The Romantics cover)
  15. “Hospital Beds” by Florence and the Machine (Cold War Kids cover)

Shore: Album Review

There’s something about fall that makes me want to listen to indie music. Maybe it’s the way that nature boasts its most colorful season in the Northeast. Maybe it’s the cool crisp air that’s much welcomed after a hot summer. Maybe it’s the flannel, beanies, sweaters, and boots that bring out the hipster in all of us. Maybe it’s simply all those long drives across the state in mid-October I used to take while listening to Matt Pond PA, The Smiths, Good Old War, Bon Iver and other indie acts. It’s probably a combo of all these things, but for the last 10 years or so fall has felt like indie music season, which is why when Fleet Foxes released their most recent full length Shore on the fall solstice, I knew I had to give it a listen. What surprised me is just how into it I was.

I’ve always been a casual fan of Fleet Foxes. Despite their indie folk style that fits my ideal fall tunes, I usually associate them with winter. Cue “White Winter Hymnal”. Shore is the perfect end of summer fall album to change my mind though. In fact I’m ready to listen to it on a long drive while admiring some foliage.

Shore is Fleet Foxes fourth full length album. It was recorded over the last year including in the midst of the pandemic. Actually, the frontman Robin Pecknold recorded the album himself without the other members of the band. So yes, it does feature other collaborators. I don’t think their sound has changed much throughout their four albums, but who knows, maybe I’m just bad at distinguishing indie folk music. Still, I feel the same vibes from Shore as I do from Helplessness Blues and their debut self-titled. If anything this album feels more bright. “Can I Believe You” is an early front runner for my favorite song on the album so far. It has an uplifting feel to it and is also pretty catchy. Plenty of other songs fit that mood as well though creating that brightness you get from this album.

It’s really unfortunate that tours and festivals have ceased for the time being because this album deserves a tour in its support. I’m sure we’ll get there though. While touring in support of their last album, Crack-Up, they played Coachella in 2018 and I wrote this about them. I did get to see part of their set that year and it was the perfect night time indie Coachella set. Can’t wait til I can say the same again. In the mean time, take in the beauty of fall if you live in an area where it can be appreciated while wearing your beanie and checkered flannel and give this album a listen. Tell me it’s not perfect for the setting.

6 Months Later

It’s crazy that when I started this blog 6 years ago I planned to keep up with it and that I’m still sort of doing that. Once I started working more, it became tougher though. When work stopped and music shut down 6 months ago, I thought I would write more. Turns out my lack of motivation in everything aside from working out dropped. So here we are 6 months later with not much change.

The world has changed a lot, but I keep feeling like it’s more of a regress than progress. We went from unexpected, catastrophic change to an uncertain, gradual return. Nothing quite feels as good as it used to. We’re not locked down anymore (were we ever really?), but I still stay home almost as much. Honestly that was pretty standard for me before as well. I’m good at staying home when I’m home. Home feels comforting now though because the world is strange.

I do miss work though. I miss the grind. I miss being busy. I miss making one festival my entire world for a week or two then feeling a sadness when it ends, yet an excitement for the next one or the next event I have coming up. I miss one day gigs in the cities and driving all over to work them. I miss wearing a radio and doing radio calls. “Copy that.” I miss catering when I was allowed to have it. I miss live music. I miss the lights going dark before a band appears on stage. I miss being in a crowd of people losing myself to music. I miss creating aspects of these live music experiences and making people happy because they get to see or meet the bands they love. I miss my work friends the most though. I miss getting it done with them and the good vibes and positive energy they bring. They’re a huge part of the reason why I love what I do. I truly do love it and miss it so much.

We still don’t have a clear timeline on when live music will return to its greatest state. There have been some drive-in shows and of course livestreams. Neither can live up to the energy that’s created in a large crowd of people standing next to one another. We’re hoping next year at some point that we’ll be back. The rest of this year is pretty much shot. There won’t be a Mexico this year either. At minimum it’ll be 6 more months, but as time keeps moving we’ll find out if it’ll be more. I just can’t wait for the light at the end of this long tunnel. The brightest spot will be the next Coachella for sure. I’ll be back writing previews and the excitement will be better than ever.

Until then, this was just checking in. Things are okay. They could be worse, but they could also be a lot better. They will get better though. I still think about the feeling I had the day the local favorite ice cream spot re-opened after being closed for a year. The owner died. We weren’t sure at the time if it would be closed forever. Then the following summer it was back. The hype was unreal. It was a great day in the beginning of summer. That’s the feeling I expect to have the next time I get to work or be at a show and I expect it to last for a while. It’ll be so great and that’s what’s keeping me going.

Dreamland: Album Review

After a month delay, Glass Animals latest record Dreamland is now out. The band was in the midst of a spring tour and had just started to release new singles when the music world got shut down by The Big C. In the build up to their album release, the band dropped several more singles as well as two cover songs in the midst of quarantine. The album was supposed to be released on July 10th, but two weeks before that, the group decided to push back the release to August 7th in light of current events involving the protesting for Black Lives Matter. Now that it’s finally August, and a few days after the 7th, Dreamland is here in its entirety. Let’s check it out.

The latest record brings the same chill indie electronic vibes that Glass Animals are known for so you don’t have to worry about this record sounding any different. The lyrics still bring in the unique language that Glass Animals have used in prior music too (i.e. “those peanut butter vibes” from “Gooey”). The difference in this album is that it’s like a book. Each song feels like a chapter in the story of front man and producer Dave Bayley’s life. The home movie interludes adds to that feel as well. In this way Dreamland is a well-themed record compared to Glass Animals’ first two releases.

Glass Animals have plenty of great songs in their discography but I think their new song “Heat Waves”, which was released around the same time the band announced the delay of their album, is their best song to date. It’s also a front runner for my favorite song of the year. I absolutely love it. It was one of those songs that I fell hard for when I heard it for the first time and it’s still a song that I’m constantly replaying. Several of my friends have said as much about this song too. It’s truly a banger and worth a listen even if you’re not a Glass Animals fan. It’s a likeable song in general.

The new album also features several other great tracks like “Space Ghost Coast to Coast”, which gives a lyrical nod to the 90’s, “Dejá Vu”, another banger and one of their singles released in anticipation of the album, “Tokyo Drifting” featuring Denzel Curry, and “Tangerine.”

I’m sure Glass Animals would be touring and playing festivals this year if it weren’t for The Big C. Look for them to hit the road once its safe and we can listen to live music with all our friends again. I know I will be doing that since I just missed the train on this band during their last big touring year. Until then, you have plenty of time to get into this new new album.

The Umbrella Academy

So it’s been a while since my last post. So much for spending this time at home writing more. Honestly since the craziness began, it’s been difficult at times and I haven’t felt as inspired to write as I normally do. I did plan on another album review a few weeks ago, but the album release was postponed until next month. Look for that in the coming weeks. However, I didn’t want another month to go by without making at least one post and the second season release of one of my favorite series on Netflix made for some perfect timing.

During my flight to Coachella last year, I began watching a Netflix series about a family of superheroes based on the comic book series of the same name created and written by My Chemical Romance front man Gerard Way. The series is called The Umbrella Academy. Since watching the entire first season last spring, I’ve been anticipating season two. It filmed last year and was scheduled to debut this summer. Thankfully, even with the world wide crisis of 2020, it’s still coming out on time aka TOMORROW! You could actually say the second season of the series debuts at midnight tonight. I can’t wait to watch!

The story of The Umbrella Academy begins on October 1, 1989 when 43 women around the world gave birth simultaneously despite not showing any signs of pregnancy until labor. Seven of these children were adopted by Sir Reginald Hargreeves, a very wealthy man, and turned into a team of superheroes called The Umbrella Academy. Each of the children are named as numbers by Hargreeves, but received regular names from their robot mother.

The series begins in present time and shows the current lives of the Hargreeves children, but routinely flashes backwards (and forwards because time travel is a part of the series) to tell the story of how the superheroes came to be. The story also develops to where the Hargreeves are headed, which seems to be certain doom. Without revealing any major spoilers, the first season ends with the apocalypse and the season that begins tonight should pick up with the Hargreeves going back in time to find out a way to stop the apocalypse from happening.

The Umbrella Academy is packed with an all-star cast of Tom Hopper as Number One/Luther, David Castañeda as Number Two/Diego, Emmy Raver-Lampman as Number Three/Allison, Robert Sheehan as Number Four/Klaus, Aidan Gallagher as Number Five, Justin H. Min as Number Six/Ben, and Ellen Page as Number Seven/Vanya. The cast also includes Mary J. Blige, Cameron Britton, Kate Walsh, and Colm Feore among others. The series was created for Netflix by Steve Blackman and developed by Jeremy Slater. Gerard Way is also one of the executive producers of the series.

I’ve always been a fan of Sci-Fi/Fantasy films and television series involving superheroes and super powers from Marvel films to Ninja Turtles and Power Rangers so when I saw this series on Netflix before I left for Coachella last year, it was a no-brainer to download the first few episodes to watch. I watched every episode I downloaded on my way to California and downloaded the rest for my trip home, again watching each one. It’s kind of a bummer that I don’t have a flight to be on to binge watch the new season this time around, but I’m glad to have the free time to do it anyway. I went in blindly to season one, not knowing anything about the series aside from the fact that it looked pretty cool. The same is true for season two. I haven’t read any previews nor do I know what to expect. I’m just overall excited to watch the Hargreeves in action again after becoming a huge fan of The Umbrella Academy. I feel like I haven’t been hyped on many Netflix/TV series in a while except this one so if that says anything to how much I think you should check this show out, then take my word for it right now and check this show out. If you’re still sitting around with not much to do like I am, it’s worth a watch. Even if you’re busy, make some time this month because it’s sure to be an action packed second season.

So again….tonight! Midnight! Season 2 of The Umbrella Academy! Catch you on the stream!

Women in Music Pt. III: Album Review

I’ve been patiently waiting for Haim’s third album, Women in Music Pt. III to drop. Some of the bright spots of this year have been the release of new music so I’ve been looking forward to this brand new album by one of my favorite bands. The album was slated for release on April 24th, but due to the current world wide crisis was pushed back for a late summer release. Then it was bumped up to a June 26th release date. June 26th was Friday, which means the album is finally out!

Haim has been releasing new music for almost a year now with “Summer Girl” dropping at the end of last July. Several other singles have also dropped in the lead up to the album release. Before live music ceased in March, Haim was in the midst of a Deli tour that honored their Jewish roots. The band was playing small shows at famous delis in a few locations around the country in honor of their first show ever being at Canter’s Deli in L.A. in 2000. The band played two of those scheduled dates before the country began to shut down. In honor of the album’s release though, the band did a live stream on Friday from Canter’s.

The biggest difference between Women in Music Pt. III and Haim’s first two albums is that this one hits deeper. The song topics get personal and more sad than their earlier works. Many songs on the album sound like the total opposite of that though. I’ve heard them described as “sad bangers”. A few tracks also add hints of jazz and Caribbean/tropical vibes to Haim’s west coast style pop/soft rock. Overall the album offers versatility in sound and lyrics compared to Days Are Gone and Something to Tell You. It’s got the Haim we’ve always loved (my favorite song “Don’t Wanna”) plus the Haim that is growing and pushing their style more (“Los Angeles”).

When live music is finally a thing again, expect plenty of tour dates and festival dates from these three sisters. I would even expect them to join the lineup for Taylor Swift’s festival next summer. Until then, bask in the greatness of this new music we were given in the strangest of times. It’s a great soundtrack for the summer and one you should take in before you can see them perform again. For me, new music is one of the only things that has felt the way it’s supposed to feel and I owe Haim and whoever else is releasing new music this year for this piece of comfort in a very uncomfortable year.

Nochella 2020

It’s been several days since the news finally broke about the year’s biggest party in the Indio desert being cancelled. 3 months ago I would have been absolutely devastated to hear about Coachella being cancelled. In fact I spent a weekend crying about it. Over the first few weeks after Coachella got postponed and live music every where ceased to exist, it became evident that Coachella in October was probably not going to be a thing. I stopped thinking about it. I hosted my own Couchella during the Coachella weekends. I watched the new documentary and decorated a room in my house like the polo fields. I even watched former live Coachella sets. I tried to celebrate Coachella as it should be celebrated in the best way I could.

Even though I expected this to happen, I’m still bummed about the news. This year has really become the year without live music and it’s absolutely heartbreaking. Times are so strange right now. Life feels so weird and everything is upside down. I actually prefer being home these days since at least it’s comfortable. Home is the world I’ve always known, but I still miss the rest of the world as I knew it too. I miss the days when two weeks in the southern California desert listening to music with thousands of people on fields at a polo club would cure any similar heart break.

Time felt like it moved so slowly in March. Then it started to speed up. Now, 3 months later, it feels like we’re 3 months closer to be able to live, breathe, exist, and listen as we’ve done for our entire lives. Coachella 2021 dates have already been set, but even next April is in question right now. The uncertainty of it all feels like someone has taken a bat to my stomach and knocked all the air out of me. The only thing we know is that live music will be back the way we knew it at some point, we just don’t know how long it will take and I really hate thinking about it. I’m just trying to focus on right now and enjoy what I have in the present.

However, until it’s back, I’ll also still be here yearning for the days spent admiring flower crowns, sweating in the afternoon sun at the Outdoor Theatre, capturing pictures of art installations and that iconic ferris wheel, losing myself to the electronic beats of the Sahara tent, relaxing in the air conditioned Arctic Dome, drinking yerba mate and living my best life with my co-workers, indulging at catering, appreciating the palm trees and snow peaked mountains, eating In-N-Out Burger, catching one of my favorite bands at sunset, spying celebrities, witnessing ground-breaking headlining performances at the main stage, and getting lost in the good vibes and good tunes that only Coachella has to offer. We’ll be back there some day and I can’t wait for that moment. Can’t wait to see you again Coachella. You know I’ll be prepped and ready and I hope you will be too.

Notes On A Conditional Form: Album Review

In a time where there’s not much in the immediate future to look forward to, we thankfully still have music. New albums and songs are still being released. Some releases may have been delayed, but they’re still happening this year. For an industry that’s been crushed by this world wide crisis, it offers a glimmer of hope and an abundance of jams.

Today, The 1975 dropped their highly anticipated fourth album, Notes On A Conditional Form. The album release was twice delayed already this year, but every few weeks a new single from the album was released in the lead up to this weekend’s official release. To me, this feels like The 1975’s most ambitious album to date. Stylistically, it crosses genres, yet still maintains the indie/synth pop sound well associated with The 1975.

An inkling of this genre breach happened when the band dropped one of the new album’s first songs, “People.” The track sounds more like a punk rock/hardcore anthem than anything you’ve ever heard from The 1975 in the past. I remember being pleasantly surprised with the vibe of the new song as someone who grew up listening to punk and hardcore music, but I still questioned where the band was going with it. As more songs were released, I was assured that their new album would be full of stylistic surprises.

In early April, The 1975 released the song “Jesus Christ 2005 God Bless America,” which features indie folk rock artist, Phoebe Bridgers, who was supposed to join the band on their 2020 tour until it was inevitably postponed. The song is a testament to Bridgers’ folk rock style. The only thing that gives it away is Matty Healy’s vocals, but even Healy’s sound succumbs to the song style. “Playing on My Mind” also has that indie folk feel.

“Roadkill,” which wasn’t released prior to the full album, sounds like it could’ve come off a Sam Hunt record. It’s got an unmistakable country twang. Despite the country vibe, it still feels like a 1975 indie pop song. I kind of love it. There’s also a few interlude tracks on the record that bridge into another genre as well. These songs take the standard synth pop sound of the band into a more electronic sound. “Shiny Collarbone” and about halfway through “Having No Head” are those dance tracks.

The album is full of songs that sound like what you would expect from The 1975 too. There’s several bangers like “Me & You Together Song”, “If You’re Too Shy (Let Me Know)”, and “Frail State of Mind” and smooth rock ballads like “Guys”, “The Birthday Party”, “Don’t Worry”, and “Nothing Revealed/Everything Denied.” It’s honestly such a great mix of music.

Like I said, this album feels different than what we’re used to from The 1975, but it blends genres remarkably well and still gives us the sound that we’re looking for. It may have taken me an album to actually get into The 1975 (I really got into them after “The Sound” from I like it when you sleep…), but I’ve been a fan ever since. I’ve always really been into their hits. “The Sound” (obviously), “Sex”, “Heart Out”, “Chocolate”, and “It’s Not Living (If It’s Not With You)” are a few of my favorites. This new album feels different in a good way though and even the songs I don’t typically fall for, I love. I think if you’re an indie music fan or a music fan in general, you can find something on this record that you’ll like. It’s got something for everyone. But really, you might just love it all, it’s that good. So give it a shot. If you don’t find it appealing, my solution is that maybe you would like it better if you took off your clothes. (Of course, that one is my favorite!)

Sad Philly Boy Music/Coachella Band Preview?

It’s been a while since I last blogged. It almost feels like I actually did go to Coachella since this is what usually happens. I write Coachella blogs until I leave for Coachella then stop until I return from being out in the desert for a few weeks. At this point I should have no excuse for not writing. I’m home. The problem was I couldn’t figure out what to write about. There’s a few upcoming albums I plan to review, but until then I haven’t really discovered anything new I like, until Saturday.

I’ve been talking to my friend Kelsey for most of quarantine. We’re quarantine buddies for sure and we’ve agreed that it feels a lot like being in high school since we’re both with our families. Kick in the nostalgia. We often talk about bands we grew up listening to like Brand New and Taking Back Sunday. We were both emo/punk/alternative kids. Lately though, quarantine has brought in some deep cut local bands and musicians that were a part of our teen scenes. I started talking about Title Fight and how my friends and I watched them play small venues in our area as they grew bigger in their scene. She sent me a picture of her and her prom date Alex and then told me how he’s now in a band that sells out large venues. That’s when I first heard of (Sandy) Alex G.

According to Kelsey, (Sandy) Alex G, aka her high school friend Alex Giannascoli, really started when he was in high school. He was in a pop punk band called The Skin Cells with several of their other friends. Kelsey even sent me one of their songs Saturday night. It was great. She said Alex was super dedicated to music and would record his own stuff in his room, put it on CD, and personally decorate the CD. She said it felt like he did this at least once a month. He was good too. She always thought he would be famous one day and she wasn’t lying. He’s now an indie recording artist.

He began self-releasing music on Bandcamp between 2010-2012. His music spread by word of mouth and music blogs and eventually lead to his signing with Orchid Tapes who he released his debut album DSU under in 2014. At that time he was just Alex G. In 2015 he signed with Domino Recording Company and began releasing records under that label. He released three albums with Domino in 2015, Rules, Trick, and Beach Music.

In 2017, Alex G announced that he would be changing his name from Alex G to (Sandy) Alex G shortly before the release of his album Rocket. The album ranked on many indie publications’ lists as being in the Top 50 of the year. In September, Alex released his latest album House of Sugar, which again received similar accolades

(Sandy) Alex G is a typical indie artist. His music also bridges into that post-punk/pop-punk/alternative scene that bands like Turnover and Tigers Jaw are a part of. He’s also from suburban Philly. Based on his style, he probably attracts a large following of “sad Philly boy” fans, which is a term I’ve heard referring to the new indie scene of young urban outfitter wearing 20-somethings that originated in Philly. Regardless of what your style is, if you’re an indie music fan, you’d dig what (Sandy) Alex G has been putting out.

Normally, at this point of the year Coachella would already have passed and we would be looking forward to next year. Unfortunately at this point, 2020 hasn’t happened and no one’s really sure if it will. That being said who knows what happens to the 2020 lineup? If it happens this year, will the same artists be playing? If it doesn’t, do they play next year? I’m sure Goldenvoice has already started booking a 2021 lineup that looks much different than this year, but I bet if Coachella 2020 doesn’t happen in the fall there may be some smaller acts booked for the following spring. The reason I’m even talking about this is because (Sandy) Alex G was supposed to be on the lineup this year! He was slated to play Sunday. Even though everything is very TBD right now, I’m hoping he still plays in October and if not, I’m hoping he’s on the 2021 lineup. I’d love to see him out on the polo fields and I now have plenty of time to listen to his music. So big shoutout to Kelsey for the introduction and big shoutout to Alex for putting out this great music since high school.